But when I was in architecture school, no one talked about beauty in architecture because it was considered too subjective. In Ancient Greece, common forms of beauty were often portrayed through art, particularly sculptures. But like Classical Greeks who may have promoted a converse view, that beauty is an objective aesthetic reflection of innate characteristics of human value, modern subjectivists ignore the empirical reality in favor of a clean and simple narrative. The beauty standard of the time said they should be at least somewhat white, the whiter the better, and of equal proportions, but even the most beautiful ladies had ruins in their mouths. They used their oil lamps to burn the longer hair, a scene that has been eloquently described by Praxagora in Ecclesiazusae ( The Assemblywomen) of Aristophanes when she addresses her own oil lamp: “Only you are enlightening the secret spots of our thighs, burning the hair that blossoms there”. Kritios Boy (Kritios, c.490 BCE, found on the Acropolis of Athens) is an example of an ideal young Greek man. But it was a case of yet another standard of beauty invented by a man's drawing, rather than inspired by any existing woman. Socrates was the first philosopher who started looking into beauty. This beauty ideal of fair skin dates back as early as the Han Dynasty which controlled China from 206 B.C. It is also said that it was Pluto that decided that beauty cannot be defined. A diverse cast of models shows how the standard of beauty for women has changed dramatically over time. Beauty standards are changing to a more healthy body image. In the early 17th century France, during the time Louis XIV made his first love-conquests, blonde hair or light brow shades were all the rage. The ideal Asian beauty. The concept of classical beauty, originated in Greece, is perfectly described in the architectural treatise of Vitruvus Pollio in the I century BC. Advertising, retailing and entertainment produce notions of beauty that change over time. Like Reply. The exhibition “Defining Beauty: The Body in Ancient Greek Art” shows that the body in movement, both realistic and transcendent, was at the center of Greek art and thought. Her loose hair and exposed physique suggest more sensual and intimate pleasures. Her graceful form and gestures fit the classical European artistic standards of beauty and representations of women. After Socrates, Plato started studying beauty and he believed that it had something to do with symmetry. Alexander Pope: "Fair tresses man's imperial race ensnare/And beauty draws us with a single hair." Likewise modern art, such as advertising is also another common form of beauty. Are male nudes in art appropriate viewing for family audiences? But what would these famous works of art look like were they to conform to today’s Photoshopped standards of beauty? Ideals of Beauty in Greek and Modern art . 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